This is an Animated Documentary and wrap around campaign to raise awareness and talk about some of the mental health wellbeing difficulties parents may face during pregnancy, birth and after. The aim is to emotionally support parents and enable them to find support. First hand testimonies along with animated characters and storylines open up conversations and experiences that are often difficult to start or hear. This film is directed by Emma Lazenby through ForMed Films, a not-for-profit Community Interest Company.
The festival who shares the name of the first known Animated Documentary features a stellar line up of films. Their selection includes a mockumentary category and a Rising of the Pandemic category on films made about and during the pandemic.
The festival is screening on location, alongside a hybrid online/ offline conference. You can find more details here: www.animadoc.pl
A still from Searching for Sugar Man featured in ‘Interjections and Connections’
Written a few years ago now, this article by Bella Honess Roe examines the animated segments within live action films and builds on the thinking in her seminal work ‘Animated Documentary’, both essential reading for those studying, making and writing about the theory and or practice of animated documentary.
The latest book about factual animation comes from Dr Nea Ehrlich, and a quick glance at the contents page shows notably distinct areas of animated documentary that have seen less coverage, for example an entire section of the book is dedicated to other forms of animated documentary within games and VR, whilst other chapters explore in depth the definition of mixed realities. We cannot wait to get reading, the book is available to buy at Edinburgh University Press or you can access the book via ‘open access’ via this link:
About the book:
Confronting shifts in the status and aesthetics of the real, *Animating Truth *analyses how contemporary technoculture has transformed the relationship of animation to documentary by mapping out two parallel
trends: the increased use of animation within documentary or non-fiction contexts, and the increasingly pervasive use of non-photorealistic animation within digital media. As the virtual becomes another aspect of
our contemporary mixed reality (physical and virtual), the book aims to understand how this visual paradigm shift influences viewers, both ethically and politically, and questions the wider ramifications of this transformation in non-fiction aesthetics.
The Animation Workshop (home to ANIDOX lab), is for the second year running their new initiative – the ANDOX:VR Award and Exhibition. The Awards include a cash prize and a residency grant for the development of new work.
The 2019 awards included five projects in competition and one project out of competition.
This review will focus on the information available for each project online, usually a trailer and reviews. Unfortunately, I have not experienced the projects as a VR experience yet, due to not being able to attend the festivals the projects have exhibited at. My aim is that the information I provide will be enough to introduce the reader to the project and by following the links, knowledge about where to access the work will be clear.
‘Ayahuasca Kosmik Journey’ by Jan Kounen (2019)
This 18 minute VR film allows participants to immerse themselves in visions triggered by a dose of ayahuasca – a tea made from the leaves and stalks of shrubs found in Brazil and traditionally drunk by ancient Amazonian tribes. The spectator lives through the eyes of the director who has experienced the psychoactive brew.
“Imaginative, architectural and delirious visualizations. More than an imitation of a drug trip, the world presented is a spiritual one. Chants fill the headphones. Snakes slither. And no amount of text we can draft can dig deep enough into the actual experience.”
Review by David Graver on Cool Hunting
‘Homestay’ by Paisley Smith, Jam3 and the NFB Digital Studio (2018)
The trailer for this VR Animated Documentary cuts directly to the dramatic points of the story. This is the tragic story of a Japanese student who stays with a Canadian family; a look at how complete immersion in another culture can create a clash of expectations and change our understanding of family, hospitality, nationality and love.
The user experiences the story through a voice-over by the director, giving an account of her experience. The visuals embrace technological challenges by depicting a paper cut-out and origami aesthetic, created within game engine Unity.
‘Another Dream’ by Tamara Shogaolu (2019)
Winner of the ANIDOX:VR 2019 Award for Innovative Storytelling, ‘Another Dream’ is a hybrid animated documentary and VR game bringing to life the gripping, true love story of an Egyptian lesbian couple. Faced with a post-revolution backlash against the LGBTQ community, they escape Cairo to seek asylum and acceptance in the Netherlands. An accompanying installation allows audiences to reflect on what they have seen, heard, and felt in VR.
Another Dream is part of Queer in a time of forced Migration an animated transmedia series that follows the stories of LGBTQ refugees from Egypt, Sudan, and Saudi Arabia across continents and cultures — from the 2011 revolutions in the Middle East and North Africa region, to the world today.
‘Accused #2 Walter Sisulu’ by Nicolas Champeaux and Gilles Porte (2018)
This 360° video immerses the spectator at the core of the Rivonia trial, which took place in South Africa 1963-64. Accused no.1, Nelson Mandela and accused no.2, Sisulu faced a racist and aggressive prosecutor. The defendants used the trial as a political platform against apartheid, at the expense of their freedoms. The original sound archives of the trial form the narrative, with illustrations by Oerd Van Cuijlenborg brought to life.
‘The Scream’ by Sandra Paugam and Charles Ayats (2018)
Winner of the ANIDOX:VR 2019 award for Best Immersive work (€1000). Bringing to life ‘The Scream’ by Edvard Munch, this VR installation enables the user to interact with the painting. The trailer sets a scary tone: set in an empty museum you are invited to touch the painting…beware of what you might unleash.
‘Songbird’ VR installation by Lucy Greenwell / Michelle & Uri Kranot (2018)
Songbird is a fairy tale with a dark heart. You will be transported to the island of Kauai in 1984 and into a painted replica of a lush cloud forest filled with colourful birds. Here, you are invited to search for the last known ʻōʻō, an iconic black bird with yellow leg feathers and a beautiful song, a bird whose existence has been threatened to the point of extinction.
Watch the trailer here
Online Submissions are open until 20th July, for the ANIDOX:VR 2020 awards.
The ANIDOX:VR Award is supported by The Animation Workshop/Via University College, Vision Denmark, The European Union, Viborg Kommune, The Danish Film Institute, and the Swedish Film Institute. The exhibition is sponsored by HTC VIVE.
‘Doozy is a creative documentary that mixes original animation, re-enactment, archive and expert testimony to look through the lens of one of Hollywood’s hidden queer histories’
Another chance to see the fantastic ‘Doozy’ and a brilliant lineup of Q&A’s, featuring the cast of Doozy.
You can read our review of Doozy here
Directed by Anja Kofmel and screened during Cannes International Critics Week in 2018, this feature length documentary ,which fuses a mix of live action, archive and animation, is a remarkable investigation into the death of war journalist Chris, Kofmel’s late cousin.
This personal story, rich with emotion explains how the death of Kofmel’s cousin has impacted her entire life. Chris travelled to the Croatian War of Independence in the 90’s, and much of the film is set in and around Zagreb. Kofmel appears herself in the film both as a child in animated form and as an adult in live action. We see her visit the places Chris had been, such as hotels and battle grounds and talk to the people he met, such as fellow journalists and ‘soldiers’, in an attempt to discover why and how he died. I thought the inclusion of the animation production process as part of the film was a nice touch, the storyboarding and concept sketches forming part of her search.
The animation is spellbinding, black and white 2D and created in TV Paint, there is the feeling of movement and texture in the drawings as the ink bleeds into the ‘paper’ whilst images are formed and animated. The depiction of Chris and other characters is very clear, the characterisation of them and Kofmel’s direction holding up well against any photos or live action of those people. In particular the key characters, not alive today to give testimony, the animation is adding and ‘filling in’ for the missing live action that we require in order to tell Chris’s story. But the animation is not merely a device for the live action. It brings a new level of understanding to the documentary in the way in which it morphs, transcends time and geographical boundaries. There are symbolic themes in the animation, such as that of the animated lines that denote the lines in Chris scarf, or the black painterly marks that follow Chris, which instantly make me think of death. These devices guide us through the narrative, and act as signifiers of important events. The animation explores memory, loss and emotion and through it’s movement is evocative of all these states.
A wonderful film, truly deserving of its critical acclaim. In my opinion, this is a fine addition to the animated documentary genre.
An important Animated Doc featuring the voices of Asylum Seekers detained on Manus Island, whilst en route to Australia. This animated doc is available on 99.media, a free platform broadcasting documentaries in 6 different languages.
“In July 2013, the Australian Government introduced a controversial immigration policy, transferring asylum seekers arriving by boat to remote offshore detention centres on foreign Pacific islands.
Seven months later, the Manus Island centre erupted in violence when police and guards put down protests with sticks, machetes and guns, and 23 year-old asylum seeker Reza Barati was killed.
We spoke to Behrouz and Omar, who are currently detained on Manus Island.
The final film in the ‘Untold Tales’ series
Please put on your 3D glasses because I’d like to give you an immersive tour of a place I love.
Welcome to The Stereoscopic Society. We’re a bunch of 3D enthusiasts who meet once a month in a church hall in Euston. We share tips tricks and our latest 3D photos.
58 seconds probably isn’t enough time to experience how I feel when submerging for the usual full 3 hours at the club, but I hope you enjoy your quick cup of tea, meeting my friends and watching a digital slide show with us.
A film in the ‘Untold Tales’ series
A Place to Think is a meditative film, inspired by the architecture and natural environment found at the Amaravati Buddhist Monastery. The monastery welcomes all faiths and backgrounds, and gives people the space to reflect on their lives and the outside world which can at times seem overwhelming.