The Weight of Humanity – Encounters Festival Animation Programme 1

The first Encounters Festival animation programme focused on politics, conflict and cultural identity. Amongst the short animations were a number of works of fiction which directly satirise world affairs and political systems. Others made unambiguous references to hot topics like North Korea. In terms of documentary approaches, four films stood out for me:

how_long_to_long

Having completed the AniDox:Lab under Uri and Michelle Kranot’s tutorage, I feel compelled to support the notion that their experimental film, ‘How Long, Too Long’, is a documentary. The animation conveys a loosely structured message of tolerance through appropriated historical footage and symbolic imagery. Each live action scene is manipulated though their highly distinctive paint on paper rotoscoping technique. The scenes are contextualised by the immortal words of Dr. Martin Luther King Jr. whose voice has come to symbolise tolerance. This film developed out of a collaboration with live action director Erik Gandini. His film ‘Cosmopolitanism’ (2015) on Vimeo is a more conventional documentary short which addresses similar subject matter and shares some of the animated scenes.

Click here to watch the ‘How Long, Too Long‘ trailer

While thinking about how to categorise this film I was reminded that Uri had said animators often dismiss his and Michelle’s recent films as not real animation; while the structure and form of their films are lyrical enough for documentarians question their authority as a documentaries. However you might choose to define this short, Michelle and Uri’s contribution to animated documentary as educators is invaluable.

city_of_roses

‘City of Roses’, directed by Andrew Kavanagh, mixes live action and animation to distinguish between recent history in Ireland and 1930’s USA. A young boy discovers an abandoned suitcase filled with letters home, written by an Irish emigrant.

These written documents both form both the basis of the narrative, and litter the aesthetic of the film. While the animated sequences are clearly an earnest attempt to represent historical documents, it is hard to know how literally one should read the live action scenes.

a_terrible_hullabalo

‘A Terrible Hullabaloo’ was commissioned to commemorate the 100 year anniversary of the Easter Uprising. In 1916, while the United Kingdom was distracted by war in Europe, Irish republicans rose up in an attempt to end British sovereignty.  This film depicts a first hand account given by a fourteen-year-old patriot who found himself garrisoned in a biscuit factory during one of the most deadly weeks in Irish history.

Director, Ben O’Connor, initially conceived a stop motion animation but the sensitive historical deadline forced his production team to adopt live action puppetry. One of the more distinctive aesthetic choices was to composite human eyes onto the puppets. The uncanny effect some how makes the film both more and less realistic. O’Connor remarked in a Q&A session after the screening, that he considers the film a documentary because he made every attempt to remain faithful to the historic subject matter. Vinny Byrne’s testimony was recorded in 1980 for the documentary ‘Ireland: a television history’. While this is most certainly a documentary, it is fair to argue that this should not be considered an animated film. The vast majority of the footage is not created frame-by-frame or interpolated; instead puppets are filmed moving in real time, as are the digitally imposed eyes.

tough

The final film on the Weight of Humanity programme was ‘Tough’, directed by Jennifer Zheng. This student film, from Kingston University’s Illustration and Animation undergraduate degree, explores the film-maker’s relationship with her mother and her own dual national identity. Zheng adopts a bold colour palette and traditional Chinese imagery while confronting difficult personal and political truths.

In the same Q&A session Jennifer declared her own problematic feelings about categorising this film as a documentary.  She considers her audio interview as authentic documentation, but the animated action was entirely invented and features unrealistic or devised scenes.  I would argue an artist’s interpretation of a conversation is just as valid and perhaps more meaningful than a ‘talking heads’ shot. Zheng, however, prefers the term “docu-fiction”.

Encounters is an international animation and short film festival basted in Bristol, UK. It is running from the 20th to 25th September 2016.

Award winning Animated Documentary at DOK Fest Leipzig

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Still image from ‘Still Born’

Fresh news from DOK Leipzig: Two animated documentaries have won awards. Firstly the Winner of the Golden Dove for best International Animated Film at DOK Leipzig is an animated documentary called ‘Still Born’ by Åsa Sandzén, a very touching film about a mother who has to decide what is best for her unborn child and herself. Here is the information below

http://www.dok-leipzig.de/festival/preistraeger-2014/goldene-taube-animationsfilm

Also, awarded was the Golden Dove for best animated documentary. It went to an experimental film called ‘White Death’by Roberto Collío.

Here is the link:
Congratulations to both film makers!

 

‘Anima meets Doc: Expanded’ event at DOK Leipzig

This looks like a fascinating event at DOK Leipzig this October!

If any of our readers are going, we would love to hear from you. Event details are below:

Dear documentary and animation film lovers and makers,

we ‘d like to invite you to another great DOK Industry event: Anima meets Doc: Expanded, Thursday, 31 October 2013, 14:00 – 17:30, Ringcafé Leipzig

Anima meets Doc: Expanded widens its scope, inviting documentary, animation, trans and cross media makers to join us for an afternoon round table session of new discoveries and connections. Bigger, bolder, broader and under the guidance of 13 exciting table hosts from across these industries, be inspired by peers and forge new links outside of traditional genres, at one of DOK Leipzig’s most dynamic networking events.

This isn’t a traditional pitching or networking event, we won’t present specific projects or plan meetings for you. Instead we want to help you create meaningful working relationships with a broad cross-section of professionals, share experiences with like-minded colleagues and be inspired by forward, sideways and innovative thinkers.

The goal is connectivity: let’s establish a new community of exciting non-fiction storytellers!

You are working in:

– animation

– documentary

– in the trans or cross media world

– somewhere in between

You are looking for:

– partners to realise your next project which might be an animated documentary, multiplatform or outside traditional genre definition

– to get involved as a partner or collaborate on multidisciplinary projects

– inspiration outside your own area of expertise

– to meet like-minded film professionals

Please register via this link http://animameetsdok.wufoo.com/forms/z7x4m1/ before October 15. This event will have limited capacity so registration is a must! Stay tuned for the list of exciting table hosts!

Any questions? Get in touch with Katrin Haucke!

‘The Animadoc Dove’ – new award to be given to Best animated documentary at DOK Leipzig.

Great news over at the documentary and animation festival DOK Leipzig, they have just announced that this year they will be giving a prize to the best animated documentary in the festival. There is still time to enter!

To find out more, read their press release here:

http://www.dok-leipzig.de/festival/festival-news?start:int=0