A Vimeo user named Surreal Magicalism needed just two sentences to effectively sum up this unconventionally abstract approach to animated documentary. “Simultaneously subtle & brutal indictment of meat production/consumption; brilliant! The animation style, pace & sound design are all incredibly strong.”
Somewhat subtler than Morrissey’s declaration that eating meat is worse than pedophilia, Alexandra Levasseur represents her anti-meat message through metamorphic visual poetry, semiabstract narrative and masterful sound design.
A fly functions as a discordant device; it evokes a creeping notion of disgust while the viewer is presented with clinical images of meat preparation and consumption. This, I assume, is the central goal of the film.
The title ‘Table d’Hôte’ refers to a ‘set menu’ in restaurant terminology. A situation with little choice may refer to the decadence of a society that insists on consuming meat as a norm, despite the agricultural inefficiency, environmental costs and ethical ambiguity.
I am intrigued by the inclusion of a horse. Levasseur, a Montreal based student, may not be aware of the recent meat adulteration scandals in Britain. Maybe she references an animal that is normally revered and rarely consumed to highlight the perceived absurdity of accepting the industrial scale slaughter of some animals over others. Hopefully this isn’t simply explained by my ignorance of French Canadian livestock practices.
The illustrative style is confidently minimal, aided by a consciously fleshy colour palette. I observed a few careless animation glitches; the flickering line above the cow’s eye distracts from what is otherwise a powerful image.
The sound design, despite being very simple is genuinely intriguing. The glimmering digital base track acts as a bed for all manner of thoughtfully selected sound effects. We are struck by silence in the final scene as the horse collapses into a pile of meat. Only an invisible fly is audible, reengaging the viewer’s disgust instinct once again.