Rosa Fisher wins the FAFF AnimatedDocumentary.com award for best film

London’s fifth annual Factual Animation Film Festival was hosted at the Cinema Museum on 8th December 2019.  21 short animated documentaries were screened across two programmes. Between the screenings there was a discussion panel featuring Rory Waubly-Tolley, director of There’s Something In The WaterDiana Gradinaru, director of What Is Consciousness?, Simon Ball, director of Do I See What You See?, and Haemin Ko, director of No Body.

The AnimatedDocumentary.com team are delighted to announce that the FAFF best animated documentary of 2019 has been awarded to Rosa Fisher director of Sent Away.

Sent Away explores the psychological impact that attending boarding school had on Rosa’s father, Tom. The film addresses the atmosphere of punishment, obedience and isolation that led each pupil to develop a hardened exterior. The film concludes by speculating how this emotionally traumatic cultural practice, common among Britain’s political elite, has shaped the UK. Sent Away, despite focusing on the childhood of a middle-aged man, is prescient in the lead up to the UK’s general election.  One of the candidates for prime minister forged his identity in the competitive toxicity of Eton, the UK’s most elite boarding school. The other did not.

FAFF was organised by festival director, Daniel Murtha, with help from Marina Belikova, project leader for FAFF Berlin, and me, Alex Widdowson, panel host.

FAFF 2019 Programme
Programme 1, 12pm
1 There’s Something In The Water 7 Dinosaur Blues
dir Rory Waudby-Tolley 2019 UK dir Oleon Lin 2019 China
There are two types of lakes in the South: them that’s got giant salvinia, and them that’s about to. In urban China, a man makes plasticine figures of popular characters.
2 No Body 8 What Is Consciousness?
dir Haemin Ko 2019 UK dir Diana Gradinaru 2019 UK, Romania
An autobiographical experimental animated poem on the director’s immigrant experience. Classic cartoon tropes are manipulated in this nightmarish story about memory.
3 Passage 9 Do I See What You See?
dir Asavari Kumar 2019 USA, India dir Simon Ball 2018 UK
An Indian woman revisits her immigration journey through the illusion of the American Dream. How do changes in the brain cause us to see differently?
4 A Letter To Myself At 16 10 Patchwork
dir Claire Tankersley 2019 USA dir Maria Manero 2018 Spain
Five years after her sexual assault, there is so much that she wishes she’d known when she woke up the next morning. The story of a 60 year-old woman’s liver transplant, as told by her donor.
5 Embraces & The Touch of Skin 11 Solos
dir Sara Koppel 2019 Denmark dir Gabriella Marsh 2019 UK
An animated poem about the vital need for embraces and contact with other beings. A portrait of a day in a single square in Barcelona.
6 My Dad’s Name Was Huw
dir Freddie Griffiths 2019 UK
Freddie’s late alcoholic father left behind a number of poems through which we might understand his experience.

 

FAFF 2019 Programme
Programme 2, 2pm
1 Bloomers 6 Gambler
dir Samantha Moore 2019 UK dir Michaela Režová, Ivan Studený 2018 Czechia
Animated fabric brings the story of a lingerie factory in Manchester to life. In urban China, a man makes plasticine figures of popular characters.
2 Sent Away 7 The Elephant’s Song
dir Rosa Fisher 2019 UK dir Lynn Tomlinson 2019 USA
A child sent to boarding school must contend with the trauma of abandonment. The sad but true story of Old Bet, the first circus elephant in America.
3 Fifteen-Two 8 The Children of Concrete
dir John Summerson 2019 UK dir Jonathan Phanhsay-Chamson 2017 France
The filmmaker’s mother recalls her parents’ indomitable relationship, strengthened by their love of games. An immigrant child’s conflict with ethnic and national identity.
4 O Hunter Heart 9 Eadem Cutis
dir Carla MacKinnon 2019 UK dir Nina Hopf 2019 Germany
Nature and domesticity collide in a dark take of love and loss. A person’s attempt to frame their conflict with dysphoria.
5 The Drip 10 1 Minute History of Image Distortion
dir Leonie Ketteler 2019 Netherlands dir Betina Kuntzsch 2017 Germany
You’ve never seen Chlamydia in quite this way before. Material resistance in film history.

‘Chris the Swiss’ by Anja Kofmel

1789_1

Directed by Anja Kofmel and screened during Cannes International Critics Week in 2018, this feature length documentary ,which fuses a mix of live action, archive and animation, is a remarkable investigation into the death of war journalist Chris, Kofmel’s late cousin.

This personal story, rich with emotion explains how the death of Kofmel’s cousin has impacted her entire life. Chris travelled to the Croatian War of Independence in the 90’s, and much of the film is set in and around Zagreb. Kofmel appears herself in the film both as a child in animated form and as an adult in live action. We see her visit the places Chris had been, such as hotels and battle grounds and talk to the people he met, such as fellow journalists and ‘soldiers’, in an attempt to discover why and how he died. I thought the inclusion of the animation production process as part of the film was a nice touch, the storyboarding and concept sketches forming part of her search.

The animation is spellbinding, black and white 2D and created in TV Paint, there is the feeling of movement and texture in the drawings as the ink  bleeds into the ‘paper’ whilst images are formed and animated. The depiction of Chris and other characters is very clear, the characterisation of them and Kofmel’s direction holding up well against any photos or live action of those people. In particular the key characters, not alive today to give testimony, the animation is adding and ‘filling in’ for the missing live action that we require in order to tell Chris’s story. But the animation is not merely a device for the live action. It brings a new level of understanding to the documentary in the way in which it morphs, transcends time and geographical boundaries. There are symbolic themes in the animation, such as that of the animated lines that denote the lines in Chris scarf, or the black painterly marks that follow Chris, which instantly make me think of death. These devices guide us through the narrative, and act as signifiers of important events. The animation explores memory, loss and emotion and through it’s movement is evocative of all these states.

A wonderful film, truly deserving of its critical acclaim. In my opinion, this is a fine addition to the animated documentary genre.

http://www.christheswiss.net/

 

‘Nowhere Line’ by Lukas Schrank

555144862_1280x720

An important Animated Doc featuring the voices of Asylum Seekers detained on Manus Island, whilst en route to Australia. This animated doc is available on 99.media, a free platform broadcasting documentaries in 6 different languages.

“In July 2013, the Australian Government introduced a controversial immigration policy, transferring asylum seekers arriving by boat to remote offshore detention centres on foreign Pacific islands.

Seven months later, the Manus Island centre erupted in violence when police and guards put down protests with sticks, machetes and guns, and 23 year-old asylum seeker Reza Barati was killed.

We spoke to Behrouz and Omar, who are currently detained on Manus Island.

https://www.99.media/en/nowhere-line-broken-dreams-from-manus-island/

Selected Films at London BFI Film Festival 2018

DOOZY_02

Image credit: DOOZY by Richard Squires

Coming up from the 10th – 21st October is the London BFI Film Festival, featuring a brilliant selection of feature films, amongst which you can see two films of note; ‘DOOZY’ by Richard Squires and ‘Irene’s Ghost’ by Iain Cunningham. We will feature a review of the festival on animateddocumentary.com

DOOZY (UK, 2018), the debut feature from UK artist-filmmaker Richard Squires, is a creative documentary that employs ‘Clovis’, an animated antihero, as a means to explore the particular “voice” casting of cartoon villains in the late 1960s. Through the lens of one of Hollywood’s hidden queer histories, DOOZY contemplates the psycho-social relationship between villainy and hysterical male laughter; the use of voice as a signifier of ‘otherness’ and the frequently uneasy symbiosis of character and actor.

IrenesGhostUpdated

Image credit: Irene’s Ghost by Iain Cunningham, animation by Ellie Land

Irene’s Ghost is the debut documentary film from Iain Cunningham and features animated segments directed by Ellie Land. follows a son’s search to find out about the mother he never knew.
The birth of his own child inspires a journey to discover the truth about Irene, who passed away when he was a child. Piecing together fragments of the past to make sense of the present he uncovers a long held secret. Using animation mixed with filmed footage Irene’s Ghost movingly rebuilds a lost life.

Motivations for Animated Documentary Films by Lawrence Thomas Martinelli, Lecture as part of Anima Festival 2015

A few years ago now, but none the less, a fantastic lecture by academic Lawrence Thomas Martinelli, Uri Kranot and Soetkin Verstegen.

Martinelli introduces us to the various motivations for making animated documentary, through a series of case studies, whilst Kranot and Verstegen round up the lecture with some insights into the practicalities of making such animated films.

Martinelli investigates the “re – creating and re -constructing” of animated documentary, he talks about filmic hybrids and the need to complete in complete material, which is one of the motivations for using animated documentary.

Martinelli is also the founder of DOCartoon, Animation and Non Fiction Comics festival, Italy. http://www.docartoon.it/

A brilliant watch, rich with content – I know I will be sharing this with my students in their studies of animated documentary.

‘Ungvar’ by Zoltan Aprily

ungvar

‘Ungvar’ is the name of the ship  on which Aprily’s Grandfather, worked. The ship’s story is told while it is on loan from Hungary to the Nazi’s in the 2nd World War. This is a beautifully told story, with well crafted 2D drawn animation. The film does not feature a voice over – the indexical link to reality. However it does a very good job of providing historical and social re – enactment of a story that needs to be told. It utilises Animations ability to transcend fantasy and build on metaphor to relate to a real life event.

We featured this Short as part of our write up for Encounters Festival and Thank you to Ádám Harangozó for pointing us in the direction of this short.