|We’re super-excited to share details of our upcoming panel discussion with three film-makers working with autobiography, in partnership with Animate Projects and British Council:|
Our next Animation Salon is programmed by Alys Scott-Hawkins and Ellie Land from Animated Documentary, is on 4 November. It’s our second in partnership with Animate Projects. The animated documentary genre continues to grow, featuring in a variety of formats: shorts and feature films, explainer videos, interactive documentary; and showcasing an array of techniques such as the autoethnographic film, the investigative film, the call-to-action and reconstruction films, to name just a few. Animators Mary Martins (UK), John Summerson (USA), and Signe Baumane (Latvia/USA) will share their insights and experiences with us, alongside some clips of their work.
Animation Salon/Accelerate Sessions
18:00 (UK time), Wednesday 4 November
More information here.
Free. Register here.
Spaces are limited – please join early to make sure you get in. Supported by Arts Council England’s Emergency Response Fund.
Still: My Love Affair With Marriage, Signe Baumane, 2021
Next Accelerate session coming up…
Animation and VR
With Tom Higham (York Mediale), Liz Rosenthal (Venice Film Festival), Juergen Hagler (Ars Electronica), Helen Starr (Mechatronic Library), and Ulrich Schrauth (London Film Festival Expanded). More details soon.
Mary Martins is a London based filmmaker making animated documentaries and experimental films. Her short film The Divide won the Mother Art Prize in 2017 as well as the Best New Voice award at the Factual Animation Film Fuss in 2016.The Divide from Mary Martins on Vimeo.
In 2018 Martins was commissioned by the BFI and BBC4 to make the short film Childhood Memories, based on her memories of a holiday in Lagos as a young girl. The film combines archive footage with stop-motion and 2D animation to build a rich and evocative picture of a time and place remembered. The narrative for the film emerged from a poem that Martins wrote, which also led the visual development.
Discussing her process, Martins tells me “I turned my memory into a poem to create the rhythm, and that led the animation, so the animation flowed from the rhythm of the poem”. Her decision to use a mixed media method was driven by both tonal and storytelling needs. “The reason why I chose the puppets was because I wanted to create that feeling that it was a real person going back in time” she explains. “I think you can capture that well with puppets, you can really bring them to life. And then there were bits that I couldn’t quite get from the footage no matter how much I edited it, and that’s where the hand-drawn came into it. To kind of fill in the missing gaps, between the visuals, the footage and the actual memory itself – the narrative”.
Martins is set to study for a Masters at the Royal College of Art from September, as part of their animated documentary pathway, and sees it as an opportunity to develop her own distinctive voice. “My work is always going to be very experimental” she predicts, “I still don’t know if I have my own style yet, I hope going to the RCA will help me get closer to that… I see my work as a personal journey and really want to work on discovering myself through my work”.
Childhood Memories can currently be seen online in the UK only at: https://player.bfi.org.uk/free/film/watch-childhood-memories-2018-online
Background on the project can be found at: https://abandonedmemories.weebly.com
More of Martins’ work can be seen on her website: http://www.marymartins.com
We were thrilled to be part of this years Factual Animation Film Fuss festival: hosting an event, giving our first ever award, and mingling with the great and the good of the UK animated documentary crowd.
The festival is in its second year, run by Daniel Murtha, and hosted at the Genesis Cinema in London, UK. In addition to several programmes of the best new work in animated documentary, a Q&A with film-maker Samantha Moore, chaired by Alys Scott-Hawkins, opened out discussions with a number of film-makers in the audience, including Mary Martins, Emma Calder and Alex Widdowson.
Still from Truth Has Fallen by Sheila Sofian
The AnimatedDocumentary.com award was presented on the final night of the festival. We were very pleased to have our award sponsored by animated documentary director Sheila Sofian. The winner received signed original artwork from Sheila’s film ‘Truth has Fallen’, a feature length documentary we have featured on the blog. The film is about about people wrongfully convicted of murder and the weaknesses in the US justice system that allowed these injustices to occur. You can find out more about Sheila’s work on her website here.
The winning film was Spirit Away by Bettina Kuntzsch. We thought that the film was a fantastic example of using existing documentary evidence to engage the audience.
Loop by Samantha Moore
Life Inside Islamic State by Scott Coello
The Divide by Mary Martens