Hot off the Press! Cristina Formenti’s new book is the first book to provide an historical insight into the animated documentary.
The publishing wesbite goes on to say: ” Drawing on archival research and textual analysis, it shows how this form, usually believed to be strictly contemporaneous, instead took shape in the 1940s. Cristina Formenti integrates a theoretical and a historical approach in order to shed new light on the animated documentary as a form as well as on the work of renowned studios such as The Walt Disney Studios, Halas & Batchelor, National Film Board of Canada and never before addressed ones, such as Corona Cinematografica. She also highlights the differences and the similarities existing among the animated documentaries created between the 1940s and the mid-1980s and those produced today so as to demonstrate how the latter do not represent a complete otherness in respect to the former, but rather an evolution.”
and the ebook version of The Classical Animated Documentary and Its Contemporary Evolution (Bloomsbury 2022) has now been included in Bloomsbury Collections. So if your library has access to Bloomsbury Collections, you can find it there as well!
AnimatedDocumentary.com are looking forward to getting our hands on a copy!
‘Ungvar’ is the name of the ship on which Aprily’s Grandfather, worked. The ship’s story is told while it is on loan from Hungary to the Nazi’s in the 2nd World War. This is a beautifully told story, with well crafted 2D drawn animation. The film does not feature a voice over – the indexical link to reality. However it does a very good job of providing historical and social re – enactment of a story that needs to be told. It utilises Animations ability to transcend fantasy and build on metaphor to relate to a real life event.
We featured this Short as part of our write up for Encounters Festival and Thank you to Ádám Harangozó for pointing us in the direction of this short.
Laura Stewart, an animation student at Concordia University, recorded her grandmother during the 2012 winter holidays. Of the many stories she heard about life on Prince Edward Island in Eastern Canada, ‘Just a Mess’ stood out.
Gentle banjo plucking is sprinkled behind this playful and charming claymation. The use of a folding map to tackle a set-design dilemma is an efficient and enjoyable solution.
Occasionally the animation is a little jerky, the character design a little simplistic and the illusion of life size scale is never quite achieved, however any short comings pale in significance when considering the kind humour and delightful ease of the story telling.
An extraordinary shot where the grandmother inhales fumes from the rotting skunk snouts stood out. The green wool tears its way up her nostrils as we watch at an uncomfortably close angle.
Although there is a slight flippancy regarding animal welfare issues, Stewart’s job was to merely represent her grandmother’s story and not drag the historical tale through a complex of contemporary ethics.