‘Untold tales’ by Animate Projects and Anim18

Picture1

Seven renowned animators have been selected to create a series of micro-shorts, commissioned by Animate Projects and Anim18, as part of the Anim18 programme – a UK-wide celebration of British animation taking place until December 2018.

Working in collaboration with other creative talents and a range of subjects, the animators reflect on the collective and individual experiences of people living in the UK today. They are playful, joyful, and eye-catching gems, designed to be discovered in the viewer’s Instagram feed, that they will want to share, repost, like, and comment on.

Together the films present an exciting and vibrant collection of stories exploring cultural heritage, historic curiosities, devoted communities, and ways individuals navigate modern life: Leo Crane’s film offers a platform to an adopted child to share his fantastical and hopeful dreams; Ian Gouldstone takes inspiration from the inhabitants of the tower block he resides in; and Osbert Parker and Laurie Hill consider the curious tale of a wasp brought into Victorian society and cultured, and how her treatment reflects on contemporary life today.

Several of the films center on the cultural communities that the animators belong to: Anushka Kishani Naanayakkara reflects on the motivations of visitors to a Buddhist Monastery that she frequents; Kate Sullivan invites us into a meeting of the 3D enthusiasts club she takes part in; and Jessica Ashman’s film celebrates the importance of participating in Carnival culture for herself and her peers.

Abigail Addison at Animate Projects explains: “The animators were approached to pitch ideas for this project, and we were delighted with the range of ideas and techniques that were proposed. These diminutive films attest to the considerable talent and craft of the makers; they are so innovative, lively, thought provoking, and entertaining. It is a joy to be able to work with such great animation talent.”

The films will be launched on Instagram and Vimeo throughout November, beginning with Hold Tight by Jessica Ashman on Tuesday 6 November.

You can find the films on their release date at the following links:

https://www.instagram.com/anim18uk

https://www.instagram.com/animateprojectsuk

https://vimeo.com/animateprojects

 

‘DOOZY’ by Richard Squires

doozy-bar-02

DOOZY (Richard Squires, UK, 2018, 70 minutes, color & b/w)

‘Where does the character end and the actor begin?’

This documentary, live action interspersed with animated sequences, examines the life of actor – and notably voice actor for Hanna-Barbera cartoons – Paul Lynde. DOOZY foregrounds ‘otherness’ in Hollywood and the symbiosis between actor and character.

This film feels like an animator’s film. The subject matter has historical and cultural significance to animation and the experimental techniques used to present the film are courageous; risks animators are often willing to take to push the boundaries of their techniques further.

DOOZY examines a world that is often neglected – that of film sound. Squires claims that DOOZY is a creative documentary and I agree. He employs various techniques that take the viewer into new territories and explorations. For example the use of ‘longer than needs to be’ looped animated sequences of Clovis, our anti – hero. On first viewing, I was urging the director to cut the shot – surely this is on screen for far too long?! But as I settled into the repetition and over-exaggeration, I relaxed into this device which seemed to reflect the characteristics of Clovis and the animation of that time.

Squires also uses a game-show-esque technique to interview various people, including leading academics of animation, mimicking the game shows Paul Lynde was part of.

DOOZY premiered at London BFI film festival in October 2018.

If you want to keep updated with DOOZY developments you can LIKE the FB page or follow them on Twitter

‘Nautilus’ Science Connected

Nautilus is an online magazine which features weekly Science topics and explores them through a variety of media including essays, blogs, animation and videos. They feature numerous animated documentaries or live action docs with animated segments on exemplary scientists and their contribution to the world of science knowledge.

Nautilus lets science spill over its usual borders. We are science, connected.’

http://spark.nautil.us/

 

Selected Films at London BFI Film Festival 2018

DOOZY_02

Image credit: DOOZY by Richard Squires

Coming up from the 10th – 21st October is the London BFI Film Festival, featuring a brilliant selection of feature films, amongst which you can see two films of note; ‘DOOZY’ by Richard Squires and ‘Irene’s Ghost’ by Iain Cunningham. We will feature a review of the festival on animateddocumentary.com

DOOZY (UK, 2018), the debut feature from UK artist-filmmaker Richard Squires, is a creative documentary that employs ‘Clovis’, an animated antihero, as a means to explore the particular “voice” casting of cartoon villains in the late 1960s. Through the lens of one of Hollywood’s hidden queer histories, DOOZY contemplates the psycho-social relationship between villainy and hysterical male laughter; the use of voice as a signifier of ‘otherness’ and the frequently uneasy symbiosis of character and actor.

IrenesGhostUpdated

Image credit: Irene’s Ghost by Iain Cunningham, animation by Ellie Land

Irene’s Ghost is the debut documentary film from Iain Cunningham and features animated segments directed by Ellie Land. follows a son’s search to find out about the mother he never knew.
The birth of his own child inspires a journey to discover the truth about Irene, who passed away when he was a child. Piecing together fragments of the past to make sense of the present he uncovers a long held secret. Using animation mixed with filmed footage Irene’s Ghost movingly rebuilds a lost life.

‘A Conversation with Haris’ by Sheila Sofian

ef7ec9cac32722954a37a0bbc0802c6a

A young Bosnian immigrant recounts his experience with war, illustrated in painting-on-glass animation.

The Paint on glass technique used in this film is a great example of what this technique can do. We are visually drawn, pulled, pushed, washed and wiped through the memories of a young boy as he recounts his experience of war. His memories dissolve and reconstruct as we travel seamlessly through time and space in a seemingly endless wave of images, which commands our interest.

The Directors voice can be heard asking direct, probing questions, which results in some unsettling honest answers, accounts of brutality and murder of Haris’s family members, it’s hard listening coming from such a young boy and reminds us of the strength animated documentary can poses in giving voices to those that we dont always get to hear. This is an important film.

We were very lucky to collaborate with Sheila for the first Animateddocumentary.com award given at FAFF 2016

http://www.sheilasofian.com/

‘Survivors’ by Sheila Sofian

19409c7d5dc50b2c2556e7592916468e

A documentary animation about domestic violence, distinctively drawn in conté crayon. With images that are sometimes abstract or vividly representational, this animated documentary is based on interviews with victims of domestic violence who bravely recount their brutal histories, and, with the help of counsellors, take their first steps to recovery.

Sheila has made many animated documentary films, including the 2013 feature Truth Has Fallen, and she is an Associate Professor at the University of Southern California.

We were very lucky to collaborate with Sheila for the first Animateddocumentary.com award given at FAFF 2016

More info on Sheila’s website: sheilasofian.com

http://www.imdb.com/video/wab/vi703372825/

Motivations for Animated Documentary Films by Lawrence Thomas Martinelli, Lecture as part of Anima Festival 2015

A few years ago now, but none the less, a fantastic lecture by academic Lawrence Thomas Martinelli, Uri Kranot and Soetkin Verstegen.

Martinelli introduces us to the various motivations for making animated documentary, through a series of case studies, whilst Kranot and Verstegen round up the lecture with some insights into the practicalities of making such animated films.

Martinelli investigates the “re – creating and re -constructing” of animated documentary, he talks about filmic hybrids and the need to complete in complete material, which is one of the motivations for using animated documentary.

Martinelli is also the founder of DOCartoon, Animation and Non Fiction Comics festival, Italy. http://www.docartoon.it/

A brilliant watch, rich with content – I know I will be sharing this with my students in their studies of animated documentary.

‘Ungvar’ by Zoltan Aprily

ungvar

‘Ungvar’ is the name of the ship  on which Aprily’s Grandfather, worked. The ship’s story is told while it is on loan from Hungary to the Nazi’s in the 2nd World War. This is a beautifully told story, with well crafted 2D drawn animation. The film does not feature a voice over – the indexical link to reality. However it does a very good job of providing historical and social re – enactment of a story that needs to be told. It utilises Animations ability to transcend fantasy and build on metaphor to relate to a real life event.

We featured this Short as part of our write up for Encounters Festival and Thank you to Ádám Harangozó for pointing us in the direction of this short.

The first AnimatedDocumentary.com Award at FAFF 2016!

faff2016_winner_laurel

We were thrilled to be part of this years Factual Animation Film Fuss festival: hosting an event, giving our first ever award, and mingling with the great and the good of the UK animated documentary crowd.

The festival is in its second year, run by Daniel Murtha, and hosted at the Genesis Cinema in London, UK. In addition to several programmes of the best new work in animated documentary, a Q&A with film-maker Samantha Moore, chaired by Alys Scott-Hawkins, opened out discussions with a number of film-makers in the audience, including Mary Martins, Emma Calder and Alex Widdowson.

325517087_1280x720
Still from Truth Has Fallen by Sheila Sofian

The AnimatedDocumentary.com award was presented on the final night of the festival. We were very pleased to have our award sponsored by animated documentary director Sheila Sofian. The winner received signed original artwork from Sheila’s film ‘Truth has Fallen’, a feature length documentary we have featured on the blog. The film is about about people wrongfully convicted of murder and the weaknesses in the US justice system that allowed these injustices to occur. You can find out more about Sheila’s work on her website here.

The winning film was Spirit Away by Bettina Kuntzsch. We thought that the film was a fantastic example of using existing documentary evidence to engage the audience.

We also awarded two Special Mentions: Loop by Samantha Moore and Life Inside Islamic State by Scott Coello. We made a third award for Best New Voice and this went to The Divide by Mary Martins.

Loop by Samantha Moore

Life Inside Islamic State by Scott Coello

The Divide by Mary Martens