Nyosha is the story of a young Jewish girl who becomes fixated on a pair of shoes as the source of her salvation while her life is ripped apart by the Holocaust. Based on the diary and video recordings of Nomi Kapel, one of the young filmmaker’s grandmother, director Liran Kapel and Yael Dekel have employed both stop-motion and traditional 2D animation to render this harrowing tale.
A certain uncanny charm keeps the viewer afloat in the rippling currents of such a dejected context. Despite the truly terrible nature of the historic narrative, naïve optimism is provided by the child’s perspective. The medium also engages us with a toy like simulacra; for better or for worse this buffer dampens the emotional response to the distressing subject matter.
This towering project is impressive but by no means is it flawless. At times the stop-motion is a tad jerky, the models still have their flash lines and the illusion of scale is not fully realised. That said these are the imperfections that come hand in hand with such a challenging medium: an Aardman production, for example, would be missing a great deal if all thumbprints were removed. Set design on Nyosha is impressive and at times the lighting is too. Particular attention has been paid to attempting tricky post-production effects, like the beams of light that cut through the forest. Despite not always being entirely convincing, the over all atmosphere these create is invaluable.
“In a small apartment in Buenos Aires, an old woman eagerly awaits the birth of her grandchild and all the joys of becoming a grandmother. However, horrific circumstances mean that she will be forced to wait for over 30 years. Using real-life testimonials this animated documentary raises issues of memory, repression and loss”.