The animated short illustrates the tenacity of young Hungarians following the collapse of the Soviet empire. While in 1989 the boarders were suddenly free to cross, the dire economic climate put travel out of reach for most. This short film captures a youthful optimism in a time of enormous upheaval and emphasises how unsurpessable desires are incubated by years of restriction.
Recorded conversations concerning methods of overcoming these limitations are set to vibrant, stylised and layered animation. The uncanny visual language primarily addresses mark making. So much so most of the characters are briskly sketched out in chalky outlines, leaving their flesh transparent. The relaxed conversation scenes are laid over backgrounds teaming with colour and movement. These settings comfortably jostle for the viewer’s gaze, aided by a well-executed hand held camera effect. Csáki has been able to create an authentic sense of immersion and artistic realism in the environments that are also so noticeably crafted.
Csáki also demonstrates a clear aptitude for motion graphics. Most noticeably, one page of a train ticket metamorphoses into the next via a mesmeric shifting of lines along a grid. He also seems to relish the typographic form, placing great emphasis on the various detergent brands.